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<channel>
	<title>Heart, Faith and Steel &#187; takamatsu</title>
	<atom:link href="http://www.nydojo.com/tag/takamatsu/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.nydojo.com</link>
	<description>Authentic Samurai and Ninja Martial Arts</description>
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		<title>The power of zero</title>
		<link>http://www.nydojo.com/2010/the-power-of-zero/</link>
		<comments>http://www.nydojo.com/2010/the-power-of-zero/#comments</comments>
		<pubDate>Mon, 10 May 2010 15:30:35 +0000</pubDate>
		<dc:creator>Joe</dc:creator>
				<category><![CDATA[Budo]]></category>
		<category><![CDATA[Web]]></category>
		<category><![CDATA[bikenjutsu]]></category>
		<category><![CDATA[bujinkan]]></category>
		<category><![CDATA[hatsumi]]></category>
		<category><![CDATA[hombu]]></category>
		<category><![CDATA[maurantonio]]></category>
		<category><![CDATA[ninja]]></category>
		<category><![CDATA[ninjutsu]]></category>
		<category><![CDATA[ninpo]]></category>
		<category><![CDATA[taijutsu]]></category>
		<category><![CDATA[takamatsu]]></category>
		<category><![CDATA[togakure]]></category>
		<category><![CDATA[warrior]]></category>

		<guid isPermaLink="false">http://www.nydojo.com/?p=756</guid>
		<description><![CDATA[It's not form or technique, it's the koppo. It's the whole body. It's the power of zero. Don't hit or strike. Play in the space.]]></description>
			<content:encoded><![CDATA[<blockquote><p><em>It&#8217;s not form or technique, it&#8217;s the koppo. It&#8217;s the whole body. It&#8217;s the power of zero. Don&#8217;t hit or strike. Play in the space.</em> &#8212; Hatsumi-soke</p></blockquote>
<p>Recently, a friend asked me to voice my thoughts on the quote above. here&#8217;s what I wrote back:</p>
<p><em>We always think of &#8220;koppo&#8221; in terms of bone attacks but a few years ago, Hatsumi-soke explained that koppo has a deeper meaning. My simple understanding of Koppo is knack (&#8220;skillful means&#8221;). So, koppo is letting go of the form and intent; moving naturally to effect others within &#8220;their&#8221; movements.</p>
<p>Additionally, soke often speaks and demos how we shouldn&#8217;t think of hitting the opponent, but move in ways that cause imbalance (loss of stability in body/mind) in the opponent.</p>
<p>For me a really &#8220;cool&#8221; non-martial way of explaining this is:<br />
&#8220;A boozer looking for a fight walks into a bar. His attitude is plastered all over his face and body&#8230; Jackie [Chan], sitting in a chair, turns the chair and the boozer goes flipping over Jackie&#8217;s leg smacking his head on a table and falling unconscious.&#8221;<br />
</em></p>
<p>But as another friend of mine used to say, &#8220;Of course, I might have it all wrong.&#8221;</p>
]]></content:encoded>
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		<item>
		<title>Daikomyosai 2009 DVD</title>
		<link>http://www.nydojo.com/2010/daikomyosai-2009-dvd/</link>
		<comments>http://www.nydojo.com/2010/daikomyosai-2009-dvd/#comments</comments>
		<pubDate>Mon, 08 Mar 2010 06:00:27 +0000</pubDate>
		<dc:creator>Joe</dc:creator>
				<category><![CDATA[Budo, Events]]></category>
		<category><![CDATA[Review]]></category>
		<category><![CDATA[Budo]]></category>
		<category><![CDATA[bujinkan]]></category>
		<category><![CDATA[crocoll]]></category>
		<category><![CDATA[daikomyosai]]></category>
		<category><![CDATA[dojo]]></category>
		<category><![CDATA[gyokko]]></category>
		<category><![CDATA[hatsumi]]></category>
		<category><![CDATA[kenjutsu]]></category>
		<category><![CDATA[konki]]></category>
		<category><![CDATA[maurantonio]]></category>
		<category><![CDATA[nagato]]></category>
		<category><![CDATA[ninja]]></category>
		<category><![CDATA[ninjutsu]]></category>
		<category><![CDATA[ninpo]]></category>
		<category><![CDATA[noguchi]]></category>
		<category><![CDATA[oguri]]></category>
		<category><![CDATA[saino]]></category>
		<category><![CDATA[samurai]]></category>
		<category><![CDATA[seno]]></category>
		<category><![CDATA[stewart]]></category>
		<category><![CDATA[sword]]></category>
		<category><![CDATA[taijutsu]]></category>
		<category><![CDATA[takamatsu]]></category>
		<category><![CDATA[togakure]]></category>

		<guid isPermaLink="false">http://www.nydojo.com/?p=733</guid>
		<description><![CDATA[Like many of my buyu, I am eagerly awaiting the latest release of Quest Video&#8217;s Bujinkan DVD line: Daikomyosai 2009. Having been there during the filming, I know from experience that it&#8217;s a must have for all Bujinkan shidoshi. Follow this link to watch a clip on YouTube.]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.nydojo.com/wp-content/uploads/daikomyosai2009.jpg"><img src="http://www.nydojo.com/wp-content/uploads/daikomyosai2009-300x166.jpg" alt="" title="daikomyosai2009" width="300" height="166" class="aligncenter size-medium wp-image-734" /></a></p>
<p>Like many of my buyu, I am eagerly awaiting the latest release of Quest Video&#8217;s Bujinkan DVD line: Daikomyosai 2009. Having been there during the filming, I know from experience that it&#8217;s a must have for all Bujinkan shidoshi.</p>
<p><a href="http://www.youtube.com/watch?v=tOcO3PnoO2M">Follow this link to watch a clip on YouTube.</a></p>
]]></content:encoded>
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		<item>
		<title>Moti Nativ &#8211; NYC Jan 6, 2010</title>
		<link>http://www.nydojo.com/2009/moti-nativ-2010/</link>
		<comments>http://www.nydojo.com/2009/moti-nativ-2010/#comments</comments>
		<pubDate>Sat, 26 Dec 2009 13:45:23 +0000</pubDate>
		<dc:creator>Joe</dc:creator>
				<category><![CDATA[Budo, Events]]></category>
		<category><![CDATA[awareness]]></category>
		<category><![CDATA[Budo]]></category>
		<category><![CDATA[bujinkan]]></category>
		<category><![CDATA[maurantonio]]></category>
		<category><![CDATA[moti]]></category>
		<category><![CDATA[navon]]></category>
		<category><![CDATA[ninja]]></category>
		<category><![CDATA[ninjitsu]]></category>
		<category><![CDATA[ninjutsu]]></category>
		<category><![CDATA[taijutsu]]></category>
		<category><![CDATA[takamatsu]]></category>
		<category><![CDATA[warrior]]></category>

		<guid isPermaLink="false">http://www.nydojo.com/?p=714</guid>
		<description><![CDATA[Moti Nativ in NYC for one night only. Muishiki: Warrior&#8217;s Awareness On January 6, 2010 from 7:00-10:00pm, Moti Nativ will offer us a chance to see warrior lessons through the eyes of some one training in the Bujinkan for 35 years. Please consider attending and show your support and respect for this true Bujinkan shihan. [...]]]></description>
			<content:encoded><![CDATA[<p>Moti Nativ in NYC for one night only.</p>
<p><strong>Muishiki: Warrior&#8217;s Awareness</strong><em></p>
<p>On January 6, 2010 from 7:00-10:00pm, Moti Nativ will offer us a chance to see warrior lessons through the eyes of some one training in the Bujinkan for 35 years. Please consider attending and show your support and respect for this true Bujinkan shihan.</p>
<p>Dojo members should grab a seminar flier from me!</p>
]]></content:encoded>
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		<item>
		<title>Seagal. Lawman. TV.</title>
		<link>http://www.nydojo.com/2009/seagal-lawman-tv/</link>
		<comments>http://www.nydojo.com/2009/seagal-lawman-tv/#comments</comments>
		<pubDate>Tue, 27 Oct 2009 14:00:41 +0000</pubDate>
		<dc:creator>Joe</dc:creator>
				<category><![CDATA[Budo]]></category>
		<category><![CDATA[Review]]></category>
		<category><![CDATA[actor]]></category>
		<category><![CDATA[aikido]]></category>
		<category><![CDATA[bujinkan]]></category>
		<category><![CDATA[dojo]]></category>
		<category><![CDATA[hombu]]></category>
		<category><![CDATA[japan]]></category>
		<category><![CDATA[kendo]]></category>
		<category><![CDATA[kenjutsu]]></category>
		<category><![CDATA[lawman]]></category>
		<category><![CDATA[ninja]]></category>
		<category><![CDATA[reality]]></category>
		<category><![CDATA[seagal]]></category>
		<category><![CDATA[steven]]></category>
		<category><![CDATA[stunts]]></category>
		<category><![CDATA[takamatsu]]></category>
		<category><![CDATA[warrior]]></category>

		<guid isPermaLink="false">http://www.nydojo.com/?p=699</guid>
		<description><![CDATA[Around 1988, I first saw Steven Seagal in Above the Law and thought, &#8220;Cool.&#8221; His movies got better, before they got worse&#8230; I think his last good movie was Under Seige. Over the years, we have heard some negative things about his personality&#8230; however, he remains outspoken about Native American and Tibetan rights. But now, [...]]]></description>
			<content:encoded><![CDATA[<p>Around 1988, I first saw Steven Seagal in Above the Law and thought, &#8220;Cool.&#8221; His movies got better, before they got worse&#8230; I think his last good movie was Under Seige. </p>
<p>Over the years, we have heard some negative things about his personality&#8230; however, he remains outspoken about Native American and Tibetan rights.</p>
<p>But now, he&#8217;s making a return to TV with a reality show called: Steven Seagal Lawman. I&#8217;m not sure how I feel about this.</p>
<p><object width="340" height="285"><param name="movie" value="http://www.youtube.com/v/99E16w0PxCA&#038;hl=en&#038;fs=1&#038;color1=0x2b405b&#038;color2=0x6b8ab6&#038;border=1"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/99E16w0PxCA&#038;hl=en&#038;fs=1&#038;color1=0x2b405b&#038;color2=0x6b8ab6&#038;border=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="340" height="285"></embed></object></p>
<p>http://www.aetv.com/steven-seagal-lawman/</p>
]]></content:encoded>
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		<item>
		<title>Milkman versus Mailman</title>
		<link>http://www.nydojo.com/2009/milkman-versus-mailman/</link>
		<comments>http://www.nydojo.com/2009/milkman-versus-mailman/#comments</comments>
		<pubDate>Fri, 28 Aug 2009 14:00:27 +0000</pubDate>
		<dc:creator>Joe</dc:creator>
				<category><![CDATA[Web]]></category>
		<category><![CDATA[Budo]]></category>
		<category><![CDATA[bujinkan]]></category>
		<category><![CDATA[hatsumi]]></category>
		<category><![CDATA[hombu]]></category>
		<category><![CDATA[honey]]></category>
		<category><![CDATA[kungfu]]></category>
		<category><![CDATA[mailman]]></category>
		<category><![CDATA[maurantonio]]></category>
		<category><![CDATA[milkman]]></category>
		<category><![CDATA[moviefu]]></category>
		<category><![CDATA[postman]]></category>
		<category><![CDATA[takamatsu]]></category>
		<category><![CDATA[youtube]]></category>

		<guid isPermaLink="false">http://www.nydojo.com/?p=690</guid>
		<description><![CDATA[Sometimes, there are these little clips on YouTube that make you laugh. This is one gave me a nig smile, so I thought I&#8217;d share.]]></description>
			<content:encoded><![CDATA[<p>Sometimes, there are these little clips on YouTube that make you laugh. This is one gave me a nig smile, so I thought I&#8217;d share.</p>
<p><object width="480" height="295"><param name="movie" value="http://www.youtube.com/v/nTBIHXwSLNE&#038;hl=en&#038;fs=1&#038;color1=0x402061&#038;color2=0x9461ca"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/nTBIHXwSLNE&#038;hl=en&#038;fs=1&#038;color1=0x402061&#038;color2=0x9461ca" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="295"></embed></object></p>
]]></content:encoded>
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		<title>Lunge Punch &#8211; a note</title>
		<link>http://www.nydojo.com/2009/lunge-punch-a-note/</link>
		<comments>http://www.nydojo.com/2009/lunge-punch-a-note/#comments</comments>
		<pubDate>Mon, 17 Aug 2009 13:25:51 +0000</pubDate>
		<dc:creator>Joe</dc:creator>
				<category><![CDATA[Budo]]></category>
		<category><![CDATA[budoka]]></category>
		<category><![CDATA[bujinkan]]></category>
		<category><![CDATA[chamber]]></category>
		<category><![CDATA[chun]]></category>
		<category><![CDATA[geri]]></category>
		<category><![CDATA[goju]]></category>
		<category><![CDATA[hatsumi]]></category>
		<category><![CDATA[hip]]></category>
		<category><![CDATA[karateka]]></category>
		<category><![CDATA[lunge]]></category>
		<category><![CDATA[maurantonio]]></category>
		<category><![CDATA[newton]]></category>
		<category><![CDATA[ninja]]></category>
		<category><![CDATA[ninjutsu]]></category>
		<category><![CDATA[principles]]></category>
		<category><![CDATA[punch]]></category>
		<category><![CDATA[seminar]]></category>
		<category><![CDATA[taijutsu]]></category>
		<category><![CDATA[takamatsu]]></category>
		<category><![CDATA[tsuki]]></category>
		<category><![CDATA[tsun]]></category>
		<category><![CDATA[ving]]></category>
		<category><![CDATA[wing]]></category>

		<guid isPermaLink="false">http://www.nydojo.com/?p=679</guid>
		<description><![CDATA[A note from one of my students: Hi Joe, Just wanted to let you know that I check your page a couple times a week and find the blog both informative and insightful, and at times really funny &#8212; like the Iron Man vs Bruce Lee fight you just posted. Anyway, the lunge punch question [...]]]></description>
			<content:encoded><![CDATA[<p>A note from one of my students:</p>
<p><em>Hi Joe,</p>
<p>Just wanted to let you know that I check your page a couple times a week and find the blog both informative and insightful, and at times really funny &#8212; like the Iron Man vs Bruce Lee fight you just posted.</p>
<p>Anyway, the lunge punch question you addressed has been one that I&#8217;ve wanted to ask you about for a while.  Your answers helped me to understand what the true advantages are.  After I thought about what you wrote I concluded that the ninjutsu lunge punch just seems to fit with the philosophy of the art.  I&#8217;m speaking solely based on the small amount of knowledge I have about ninjutsu thus far, but as you&#8217;ve said using the whole body and being able to flow and move from one punch/technique to another without ever grounding yourself seems ideal.  That being said, I don&#8217;t think I have a good &#8220;ninja&#8221; punch yet&#8230; I&#8217;m still working on the leg movement and arm timing.</p>
<p>Furthermore I was thinking that when one grounds themself to throw a karate reverse punch they&#8217;re providing both a fixed and broader target and more time for the attacker to hit you.  I guess that punch better count!  A Wing-Chun teacher that I trained with at a seminar once said&#8230; &#8220;You karate people are always throwing punches from your waist&#8230; it&#8217;s going to get you in trouble&#8221;, referring to the fact that it leaves you quite vulnerable, especially the face.</p>
<p>I can comment on the technique behind the karate reverse punch that I learned fairly well while studying Goju-Ryu.  You probably know most of this already, but it will be a good exercise for me to remember everything.</p>
<p>The power of the punch comes from two primary sources, the rapid twisting of the hips using core muscles to get the weight of the upper body behind it, and the grounding of the feet with a slight push from the rear leg to add power.  It&#8217;s definitely not a mobile punch, meaning that you must be glued to the ground to make it powerful.  And it is a very powerful punch when executed properly.</p>
<p>Breaking it down into parts&#8230;<br />
1. Concentrating the power of the whole punch into the first two knuckles (index and middle finger knuckles).  This yields maximum pressure (and damage) on impact since the area of the two knuckles is small compared to say the flat front area of a fist that most people hit with.  Pressure=(Force) divided by (Area)&#8230; smaller area gives a higher pressure.</p>
<p>2. A twisting of the forearm to lock together the two bones of the forearm, the ulna and radius.  In the twisted position the elbow is almost pointing down at the ground rather than out and away from the body, while the fist remains at a 45-90 degree angle from vertical.  This locks the whole arm and makes it solid for energy transfer.</p>
<p>3. The lat muscle of your back is contracted to lock the shoulder joint down and into a solid position, providing efficient transfer of energy from the core into the punching arm.  Again, the less slack in the body the less energy wasted and more energy transferred along to the fist.</p>
<p>4.  The elbow of the punching arm stays very close to the ribs as the arm extends.  Based on the principle that the closer your arms are to your body the more power and control you have.  The arm will then easily follow the twisting motion of the hips as the punch is being extended.</p>
<p>5.  The feet are locked to the ground using the toes to dig in and grip.  The front knee is bent and rear leg is extended behind in a typical karate front stance.  The body weight is lowered/grounded with a feeling of heaviness and connection to the ground.  As the punch is extended the front leg becomes tense with the knee turning in ever so slightly as the rear leg pushes from the ground going to almost full extension (extension of the rear leg is small, only an inch or so of total movement from relaxed to tense) drawing energy up from the ground.  The feet do not budge from their grip of the ground.</p>
<p>In physics terms&#8230; Newton&#8217;s Third Law of Motion&#8230; every reaction has an equal and opposite reaction.  If I push the earth below my feet (an immoveable object) with some force the earth will &#8220;push&#8221; back with equivalent force on me (the same thing happens when we jump into the air).  Therefore since the earth isn&#8217;t moving, the energy is transferred up the leg to add energy to driving the hip forward.</p>
<p>6.  The hips are rapidly twisted using the abs and obliques in a snapping motion with the punching side coming forward with the arm as it extends.  This is to get the weight of the upper body behind the punch.</p>
<p>7.  The punch extends through the target by about three inches.  There can also be a twisting of the punch at the very end to cause more damage at the impact site by twisting and tearing muscle tissue below the surface as it penetrates into the target.</p>
<p>When it&#8217;s all done with the right timing, the overall goal is to take the power of the core, the legs, the shoulder, chest, triceps, and forearm muscles and focus it into the 1-inch between the first two knuckles.</p>
<p>It&#8217;s a great punch and can be done quickly, but again you&#8217;re completely fixed when executing it.  From training in the Bujinkan I am starting to see the great benefit of moving the whole body and the effect it can have on an opponent&#8217;s balance and structure with little effort on your part.</p>
<p>I now look back at my karate training and think of it metaphorically as two fists smashing together, where force meets force.  Whereas I look at the Bujinkan as a fist trying to strike a cloud of smoke.  The fist hits nothing and smoke suddenly envelopes it, and then anything is possible.</p>
<p>That&#8217;s about it&#8230; I think I&#8217;ve written enough, and hopefully it was worth reading.</p>
<p>I&#8217;ll see you on Tuesday.</em></p>
]]></content:encoded>
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		<title>Flippin&#8217; Ninja Kick</title>
		<link>http://www.nydojo.com/2009/flippin-ninja-kick/</link>
		<comments>http://www.nydojo.com/2009/flippin-ninja-kick/#comments</comments>
		<pubDate>Fri, 14 Aug 2009 15:30:44 +0000</pubDate>
		<dc:creator>Joe</dc:creator>
				<category><![CDATA[Budo]]></category>
		<category><![CDATA[bujinkan]]></category>
		<category><![CDATA[cartwheel]]></category>
		<category><![CDATA[class]]></category>
		<category><![CDATA[dojo]]></category>
		<category><![CDATA[genbukan]]></category>
		<category><![CDATA[geri]]></category>
		<category><![CDATA[gyokko]]></category>
		<category><![CDATA[gyokushin]]></category>
		<category><![CDATA[hatsumi]]></category>
		<category><![CDATA[jinenkan]]></category>
		<category><![CDATA[keri]]></category>
		<category><![CDATA[kicking]]></category>
		<category><![CDATA[koto]]></category>
		<category><![CDATA[kumogakure]]></category>
		<category><![CDATA[manaka]]></category>
		<category><![CDATA[maurantonio]]></category>
		<category><![CDATA[muramatsu]]></category>
		<category><![CDATA[new york]]></category>
		<category><![CDATA[ninja]]></category>
		<category><![CDATA[ninjutsu]]></category>
		<category><![CDATA[ninpo]]></category>
		<category><![CDATA[oten]]></category>
		<category><![CDATA[taijutsu]]></category>
		<category><![CDATA[takamatsu]]></category>
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		<category><![CDATA[togakure]]></category>
		<category><![CDATA[wisdom]]></category>

		<guid isPermaLink="false">http://www.nydojo.com/?p=666</guid>
		<description><![CDATA[A few weeks ago, on a hot Tuesday night we practiced a modified cartwheel with a single and double kick. What fun! Watch&#8230;]]></description>
			<content:encoded><![CDATA[<p>A few weeks ago, on a hot Tuesday night we practiced a modified cartwheel with a single and double kick. What fun! Watch&#8230;</p>
<p><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/RKAKUhhYK54&#038;hl=en&#038;fs=1&#038;color1=0x006699&#038;color2=0x54abd6"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/RKAKUhhYK54&#038;hl=en&#038;fs=1&#038;color1=0x006699&#038;color2=0x54abd6" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"></embed></object></p>
]]></content:encoded>
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		<title>The Best You Can Be</title>
		<link>http://www.nydojo.com/2009/the-best-you-can-be/</link>
		<comments>http://www.nydojo.com/2009/the-best-you-can-be/#comments</comments>
		<pubDate>Thu, 09 Jul 2009 18:00:34 +0000</pubDate>
		<dc:creator>Joe</dc:creator>
				<category><![CDATA[Budo]]></category>
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		<guid isPermaLink="false">http://www.nydojo.com/?p=633</guid>
		<description><![CDATA[Many new students judge themselves and their abilities against other people in their class. I can understand this line of thought. It&#8217;s like two people doing the same job but with one getting paid much more than the other. It doesn&#8217;t seem right. Often, the fact of the matter is that while both have the [...]]]></description>
			<content:encoded><![CDATA[<p> Many new students judge themselves and their abilities against other people in their class. I can understand this line of thought. It&#8217;s like two people doing the same job but with one getting paid much more than the other. It doesn&#8217;t seem right.</p>
<p> Often, the fact of the matter is that while both have the same title, one may go the extra distance. You don&#8217;t know how many times I have seen students complain that someone started training months after them, but that person is now passing them in rank.</p>
<p> This is a tale of two students. One young man and one young woman. The young man began training two years ago, the woman began training about 14 months ago.</p>
<p> The young man, we&#8217;ll call him George, attended class weekly trying to learn lessons as they came. Every once in a while he would ask his seniors a question or two, try out the lessons at home and, when possible, attend a second class during the week. He enjoyed the training, even if some days the lesson eluded him. His goal was to advance in rank and attain a black belt.</p>
<p> The young woman, we&#8217;ll call her Susan, also enjoyed class. She joined to learn how to protect herself but found that the training offered her more. She came to every class that was offered, sometimes even when she was sick. Arriving at the dojo, she bowed at the entrance and immediately started stretching. Class started and she listened intently and asked questions when appropriate. Her goal was simple &#8211; learn something new every class and try to move more smoothly than she did at the previous class.</p>
<p> It was very apparent to all the students and instructors that Susan was moving more smoothly each week, though she didn&#8217;t see her own progress so clearly. She received several ranks and, in truth, was moving well along. As time passed, George seemed bogged down in his own thoughts. He missed more classes than ever and his steam was running out. He seemed destined to quit.</p>
<p> My story is similar to George&#8217;s. There are people ranked higher than me who haven&#8217;t been training nearly as long. While that may cause a moment&#8217;s pause, I usually shrug it off. Their rank is a reflection of THEIR journey &#8211; not mine. It doesn&#8217;t matter to me in the least.</p>
<p> There&#8217;s an old martial arts proverb that says &#8220;With one eye fixed on the destination there is only one left to guide you along the journey.&#8221; If you&#8217;re going to learn, you have to free your mind of desire and let the lesson be the guide.</p>
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		<title>David Carradine &amp; Kwai Chang Caine</title>
		<link>http://www.nydojo.com/2009/david-carradine-kwai-chang-caine/</link>
		<comments>http://www.nydojo.com/2009/david-carradine-kwai-chang-caine/#comments</comments>
		<pubDate>Fri, 05 Jun 2009 15:00:59 +0000</pubDate>
		<dc:creator>Joe</dc:creator>
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		<guid isPermaLink="false">http://www.nydojo.com/?p=622</guid>
		<description><![CDATA[Kwai Chang Caine was one of the heroes of my youth and it isn&#8217;t easy for me to adequately express how I felt, moments ago, when I read the notice of David Carradine&#8217;s death. I&#8217;d like to share a clip from one of the scene&#8217;s of the TV series Kung Fu that defined the martial [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://en.wikipedia.org/wiki/Kwai_Chang_Caine">Kwai Chang Caine</a> was one of the heroes of my youth and it isn&#8217;t easy for me to adequately express how I felt, moments ago, when I read the notice of <a href="http://en.wikipedia.org/wiki/David_Carradine">David Carradine&#8217;s</a> death.</p>
<p>I&#8217;d like to share a clip from one of the scene&#8217;s of the TV series <strong>Kung Fu</strong> that defined the martial arts in the 1970s.</p>
<p><object width="340" height="285"><param name="movie" value="http://www.youtube.com/v/EadMQ4cnK8A&#038;hl=en&#038;fs=1&#038;color1=0x5d1719&#038;color2=0xcd311b&#038;border=1"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/EadMQ4cnK8A&#038;hl=en&#038;fs=1&#038;color1=0x5d1719&#038;color2=0xcd311b&#038;border=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="340" height="285"></embed></object><br />
</p>
<p>If you think you might like to own the DVD:<br />
[amtap amazon:asin=B00013F38K]</p>
<p>I was very fond of David Carradine; I watched many of the TV shows and movies he was in&#8230; Some were good and some terrible. But I think that Caine/Carradine will be with me for a long time.</p>
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		<title>Shinden Gokui</title>
		<link>http://www.nydojo.com/2009/shinden-gokui/</link>
		<comments>http://www.nydojo.com/2009/shinden-gokui/#comments</comments>
		<pubDate>Tue, 28 Apr 2009 15:00:15 +0000</pubDate>
		<dc:creator>Joe</dc:creator>
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		<guid isPermaLink="false">http://www.nydojo.com/?p=541</guid>
		<description><![CDATA[By Hatsumi Masaaki (from the book, Togakure Ryu Ninpo Taijutsu) As the process of learning this secret, there is a ceremony of the initiation by the sixth sense, which lets the student learn this strange technique. The student dressed in white clothes sits motionless in an open room. The master, like a shadow and without [...]]]></description>
			<content:encoded><![CDATA[<p>By Hatsumi Masaaki<br />
(from the book, Togakure Ryu Ninpo Taijutsu)</p>
<p>As the process of learning this secret, there is a ceremony of the initiation by the sixth sense, which lets the student learn this strange technique. The student dressed in white clothes sits motionless in an open room. The master, like a shadow and without making any sound, attacks the student with a sword, like a floating boat. If the student managed to dodge the sword, he got the secret, but if he couldn&#8217;t, then that was it. There is a similarity between this and the ceramist who destroys his new work if he doesn&#8217;t like it. </p>
<p>One day I was sitting in my master&#8217;s room when he said to me: &#8220;Wait here with your eyes closed, and do not open them no matter what happens.&#8221; I loosened myself up after I felt he was gone. Soon, I did a side roll after I had felt certain heaviness and saw a shadow as if my body had been split in half. Next I did a front ukemi after I felt that my head would fly away. When I recovered to the position of shizen fudoza, I opened my eyes to his voice saying: &#8220;Well done; you can open your eyes.&#8221; I saw Takamatsu Sensei standing with a sword in his right hand. Being unbelievably calm, I realised that this was the spiritual technique by the sixth sense. I then received the sword from my master. Later I was told that this was Juji Giri Mumei no Itto. </p>
<p>A year before Takamatsu Sensei passed away he said to me: &#8220;I leave the martial arts in your hands.&#8221; Nine years since he passed away, I&#8217;ve been training hard and lately, I can assert that this is true Budo. By the way, in the test for Godan in the Bujinkan Dojo, I attack with menace from behind the student who is sitting with his eyes closed. If he dodges, he passes. </p>
<p>This is the beginning. This is not just a dodging of an attack from behind. Sometimes you have to know the other side of the world. In human relations, the person you trust might someday betray you. Even then you can realise the courage which keeps the peace through this training. It is just a trick to cultivate only the sense, which permits you to dodge an attack from behind. This kind of mentality makes a distance between you and the truth of life, and ruins life. That kind of mentality is the cancer to correct growth. In this sense Juji Giri Mumei no Itto is the operation to remove this cancer in the early stages. It can also be said that one should stop teaching the person who should not be taught. </p>
<p>When you teach a lot of students, then some kind of sense is important. Buddha taught the ten followers, but one failed. One of Christ&#8217;s 12 followers was a rebel. Even a relationship between the master and pupil has a failure. The relationship between the teachers and students in a modern school system is bad. In these situations it is the most important principle which keeps: to learn the true martial arts mind. </p>
<p>When you pass the test for Godan, the way of training will change necessarily. It changes to invisible training; incomprehensible training. I teach students who have been training for more that 20 years, but only cordially. It would be the instruction of incomprehensibly strange techniques to them. They understand, but they can&#8217;t do it. They might understand but they don&#8217;t really understand. Like this, strange techniques start breathing. It&#8217;s OK with me if they don&#8217;t understand, because I&#8217;m teaching incomprehensible techniques. If they understand, they are Superman. They will improve because they don&#8217;t understand. </p>
<p>One day, one of my senior students came up to me and said: &#8220;I heard there is a technique, which allows us to throw an opponent without touching him.&#8221; I decided to try and teach this without letting my students get hurt. Myself, along with the student and four other students went to a place that had a video camera. Nine eyes are staring. &#8220;Come on!&#8221; &#8220;Yes sir.&#8221; We passed each other. My senior student flew by me and fell down. A few minutes later he got up with blood coming out of his mouth. &#8220;Understand? &#8221; &#8220;No sir.&#8221; &#8220;Rest of you understand?&#8221; </p>
<p>&#8220;No sir, but we think we will understand with the video which we will watch later.&#8221; &#8220;You won&#8217;t understand, &#8221; I told them. We watched the video, but none of the students could catch the picture in their eyes. This is martial arts. It is impossible to learn the strange techniques with taking pictures and writing down notes. In another way of thinking about this, even if you showed your techniques on a scroll and it is stolen, that&#8217;s OK. This is the essence of martial arts. Taking pictures or writing down is useless. There is no other way than to study under a master and do what he says. </p>
<p>On the occasion of publishing this book, I introduce for your information the part of the book, which Takamatsu Sensei had taught me As a rule of this Ryu, writing down is forbidden. Because if you write down, the depth of its essence comes to an end. The martial arts will be the secret without limitations. So writing this book is against my will. Even if I write with explanation for later study, nobody will truly learn. As Takamatsu Sensei said, &#8220;Learn with hard training. &#8221; </p>
<p>One year before his death, Takamatsu said to me: &#8220;You are a fine martial artist now. I&#8217;ve been rewarded the favours of my masters.&#8221; I was half in doubt. I believed that you could master the essence of the martial arts a few years after you are taught. So since the master passed away, I have been asking myself for nine years, and now I decided to publish this book.</p>
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